|
JAR |
Peter
B. Jones,
Onondaga, Iroquois |
size: |
5w x 5h |
circa: |
2002 |
acquired: |
9/5/02 |
where: |
from the Artist |
notes: |
Commissioned - We were
looking for a very traditional Iroquois piece and asked Peter to
make us a primitive looking pot that would reflect the ancient
style. Nice work! As tradition goes, the collar of the
piece (being more sharp and rigid) represents the masculine and
the smooth, rounded bowl represents the feminine. The human effigy
reflects a more developed era in their design. At first,
there were animal figurines on the collar followed by human
faces.... |
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|
Peter
(born 1947) is a skilled potter and sculptor
from the Beaver Clan, Onondaga Nation.
He studied under Hopi artist Otellie Loloma while attending the
Institute of American Indian Art, NM and his work is in the
collections of museums like the Everson Museum, Syracuse, NY, the
Heard Museum, Phoenix, AZ, and the Museum of Anthropology, Frankfurt,
Germany.
"Excellence in
Iroquois Art" award in 1990
|
Peter wrote
that the "idea of 'Indian' humor is somewhat akin to 'Indian' art.
What is it? When approached to do a piece for this show, all I could
think of were stories and jokes, incidents and happenings, the
'you-had-to-be-there' type of humor. Nothing that could easily be
translated from oral to three-dimensional. Native Americans have
always had the ability to laugh at themselves, especially at the most
inopportune or inappropriate times. . . . Humor has been our vent in
bad times." Peter uses stoneware to
create works that speak to the heart of what he sees as "Indian
Humor." |