Santo Domingo Pueblo
is located in north-central New Mexico. Santo
Domingo and Cochiti pueblos are the most northeastern of the Keresan
language villages. They lie just to the south of Tewa villages and
accordingly have felt strong ceramic influences from those neighbors.
After the Indian revolt of 1680 this influence became especially
strong. Both Santo Domingo and Cochiti discontinued their manufacture
of glazeware. For awhile they imported pottery from their Puname
(early Zia) and Tewa area, and then gradually these pueblos began to
make their own copes of the Tewa styles, using carbon paint for the
Tewa-like decorations. The classic type of Tewa-like pottery at Santo
Domingo and Cochiti bars the Kiua Polychrome. Kiua is the Indian name
for Santo Domingo, and the type was made there principally in the
period from 1760 to the present. At Cochiti also the type began about
1760 but by 1830 showed signs of evolving into a different one. By
1850 the style was so distinct that we give it the name Cochiti
Polychrome.
When some of the potters of Santo Domingo finally began
to break from the traditional styles of Kiua Polychrome, the departure
was much less extreme than at Cochiti. The resulting vessels,
known as Santo Domingo Polychrome, are distinguished from Kiua
Polychrome as follows: *The jars are relatively tall, *decoration on
the jars is usually not broken up into panels or bands, *red is
frequently used in the motifs, *decoration is often naturalistic, with
birds and foliage usually predominant, *bowls are rare, few being
made. The center picture and the one on the right are more recent
pieces. |
In the legends of the Acoma (OCK-o-ma)
peoples, a story is told of the sacred twins leading their ancestors
to Ako, the magical white rock which became their permanent home. The
twins also discovered and shared with their people, the whitest,
finest clay in all the Southwest. Sky City, the old pueblo of Acoma
claims to be the oldest continuously occupied settlement in the United
States. They may, however, get an argument from the Hopi peoples of
Old Oraibi village who also claim this distinction.
Thin-walled, large ollas,
slipped in pure white and decorated in red and black set the standard
for Acoma fine pottery ever since the 18th-century. But that hardly
begins to describe the intricate and dramatic designs which
characterize modern Acoma pottery. In 1880, the railroad caused a
major change in the pottery market. Traders and tourists were unable
to travel with the larger ollas, so potters turned to making smaller,
eccentric, more manageable pieces.
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